After Vertus we drove back towards Norway, but had planned to make a stop in Traben-Trarbach for an appointment with Daniel Vollenweider. A bottle of Clos des Rochers Wormeldange Weinbour riesling 2000 came in our way in Luxembourg. The wine had a straw/greenish colour. The nose slightly underripe, green and herbacious with a touch of petrol and apricot. Dry in the mouth, perhaps a touch of rs, but with high acids. Medium bodied and light like a kabinett nicely balancing it’s 11,5% alcohol. The fruit nice, but simple and lacking any mineral depth. Perhaps strange as the Weinbour-vineyard is classified as Grand premier cru, the highest in Luxembourg. A nice and forgettable wine, decently priced at 6 Euro.

 In out way came also a slovenian family running out of gas on the freeway. We helped them out and lost an hour time. So we arrived later than planned at Traben-Trarbach. A very short time was then spent with Martin Müllen and tasting some of his wines. Martin Müllen is a very nice man with a good philosophy in his wine-making. The wine-making is as natural as possible, being traditional and using natural yeasts only. Unfortunately the wines have had a tendency to be to rustic and lacking some of the refinement one finds in top Mosel-riesling. But he is a hard worker and IMO makes better wines every year. In 2002 his trocken wines were great, especially his pride the Trarbacher Hühnerberg. 2003 was quite a different animal and Martin Müllen experienced severe problems in the Hühnerberg with wild boars, eating it’s way through the vineyard, he lost a large portion of his grapes. Later Daniel Vollenweider said this had become even a larger problem this year with wild boars even in the Wolfer Goldgrube eating grapes. Daniel said he considered putting up electrical fences around the vineyards as he had lost a lot of great grapes this year. New at Müllen for the 2003-vintage is that he has started bottling separat plots aka Vollenweider and Clemens Busch in some of his vineyards; like the Steffensberg, Letterlay and the Paradies. Müllens wines in the 2003-vintage showed some of the problem one finds in this warm vintage. The dry wines were hard to balance and showed less elegant than earlier. This year I found the sweeter wines better here, although here they were a bit heavy on the sweetness in the balance. The Trarbacher Hühnerberg 2003 spätlese was as always one of the more impressive wines, but the selections from the Paradies was also interesting. The Kröver Paradies “Jippi” riesling Spätlese** 2003 was a very good wine made from wines harvested in a small strip of vines close to the river.

 

Then we went off to Daniel Vollenweider and arrived 15 minutes late. Here are the notes from the 2003-vintage:

 

Wolfer Goldgrube Riesling Spätlese feinherb 2003, Ap: 02 04

This wine is this year made from the Portz-block in the Goldgrube. It is typical 2003 and shows some of the problem of the drier wines in this vintage. The nose being nice with hints of flowers and honey. In the mouth the entrance is fullbodied and some fatness with some honey and apricot, then this hollowness in the middle before a mineral finish with more alcohol than usual. The wine helds 12,5%, usually it’s at 10%. It’s a decent wine, but the most disappointing feinherb I have tasted at Vollenweider. Daniel actually agrees and says it was very hard to make this wine. Strangely it is the first vintage of the feinherb that Armin Diel found good enough to include in the Gault Millau-guide.

 

Wolfer Goldgrube Riesling kabinett 2003, Ap: 01 04

Light straw colour. Floral, lightly slatey wine with impressive acids, but here some of it comes from the high spritz. It is very full-bodied for a kabinett and not exactly true to that style, the must holding auslese-weight. But it is an impressive kabinett that probably will do well with aging. If you drink this now, I would suggest to not decant it, to keep the spritz which helps balance the sweetness.

 

Wolfer Goldgrube Riesling Spätlese 2003, AP: 03 04

This is the “straight” spätlese bottling. It is more distinct flowery than the kabinett, but perhaps lacking some of the slateyness. It is powerful, sweet and rich in the mouth with decently balanced acids. But it is not more interesting than the kabinett. Perhaps even less.

 

Wolfer Goldgrube Riesling Spätlese 2003, AP: 04 04 (Reiler)

This is from the Reiler-plot which was IMO perhaps Vollenweiders most impressive wine in 2002. The colour is light straw/greenish. Quite sweet and a bit tropical nose, but shows great depth and also some greener notes. Balance is also better with more balanced acids and better length. This does not fail to impress in 2003 and was my favourite spätlese this year too.

 

Wolfer Goldgrube Riesling Spätlese GK 2003, AP: 05 04 (Jon)

This wine is made from a block that Daniel Vollenweider has not bottled seperately before. The block is situated in the steep part of the Goldgrube straight across the bridge from Wolf and named Jon (“sjonn”). In 2003 this was the spätlese that showed the most impressive structure with finely balanced acids for this vintage. The nose showed some of the same tropical elements as the Reiler, but seemed more straightforward and lacked the same depth and interest, although not far behind in quality.

 

Wolfer Goldgrube Riesling Spätlese GK 2003, AP: 06 04 (Goldgrube)

From the original Goldgrube-block. This wine showed more intencity and more extract than the two previous wines. The nose was more honeyed and showed also some more slate. It is powerful and a concentrated wine. Fruit mostly honeyed and a bit shut down at the moment. A different animal than the Jon, but not less interesting.

 

Wolfer Goldgrube Riesling auslese 2003, AP: 07 04

The first auslese Daniel made which does not have 100% botrytised grapes. This have 80%. Daniel decided to do this, as the must-weights was very high, yet contained so little botrytis this year. The wine has a Straw/green colour. A bit closed nose, but shows some botrytis and raisins. In the mouth it is a powerful and concentrated wine, but with beautiful balanced acids and good length. Some botrytis and quite closed down fruit. Great potensial. Daniel tells that he really liked the way the higher prädikat-wines turned out in 2003. The only thing was that he had to let his philosophy about auslese = 100% botrytised grapes go. But the slightly cooler (late) autumn of the 2003-vintage and the long abscense of botrytis made the grapes keep much of the freshness as the grapes shrivelled. So according to Daniel 2003 is a vintage for the sweeter wines. This also seems to be my impression from what I have tasted. The next wine should be an even better example of this.

 

Wolfer Goldgrube Riesling auslese LGK 2003, AP: 08 04

The Lange GoldKapsel had an Oechsle-weight of 170° when harvested. The nose shows more botrytis than the auslese with more intence honeyed nose. In the mouth the entrance shows the fatness of botrytis and is intence, powerful and rich. The acids manage to balance beautiful and keeps the finish fresh and very long. A great and intence wine from Daniel Vollenweider and perhaps one of the finest wines he have ever made. Only 100 liters made.

 

Wolfer Goldgrube Riesling auslese TBA 2003

We had a little taste of this wine that is still ferminting and has reached an alcoholic level of 3,5%. Hard to comment much on the yeastful aromas this wine gave, but the structure in the mouth seemed to be tremendous with high and cleansing acids. I think this is Daniels first TBA and he will make about 100 liters from it. Really something to look out for.

 

Wolfer Goldgrube Riesling kabinett 2000

Later we had a taste of this wine which is coming around nicely. Especially the nose is nice shoing petrolly, but with nice floral and mineral intencity. In the mouth it is a quite soft kabinett with nice mineral depth. Perhaps lacking a bit of “cut” in the finish, but good length.

 

The tasting at Daniel Vollenweider confirmed that the 2003-vintage is giving quite mixed results and perhaps shows a bit differently than one first thought. The drier wines (halbtrocken and drier) really has huge problems balancing the sweetness from the ripeness and the high alcoholic levels. The balance in these wines are very weird. Perhaps things will sort out with aging, but IMO I would be very careful buying these wines. The stars of the vintage is the wines with high oechsle-weight, starting with the more powerful spätlesen and upwards. Daniel really likes these wines and says the weather-conditions and the lack of botrytis made these wines balance better than one should think. The tasting confirmed this IMO.



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